Remember that time when we almost sent Boy Kiss to the crucifix over
the alleged act of templating the sounds off his debut hit single, Woju, for his sophomore track, Laye?
Aha, you do right? I was in the passenger-led seat of that bandwagon.
Next on the list is YBNL lover man, Adekunle Gold. I obviously can’t
be the only one who has noticed that this new song, ‘Ready’ sounds an
awful lot like a spinoff from ‘Pick Up’. They sound too damn much alike!
Of course, both tracks were torched by the magic fingers of YBNL
badman, Pheelz Mr Producer (by the way, I’m tripping for that new audio
signature. It makes me go gaga whenever my ears happen upon them).
That aside, I think it’ll be unfair to smack down ‘Kunle the way we
literally consumed Boy Kiss. Unlike Kiss Daniel who still had a whole
lot more to do in proving himself past the timed event of releasing just
two singles, Adekunle Gold hasn’t flinched in showing his versatility
since he surfaced the industry and pulled massive commercial reception
at the same time. Even at that, it’s difficult to turn a blind eye to
concepts such as this that reek of unoriginality.
Is ‘Kunle loosing grip of his musical formula?
Does YBNL have one, or perhaps too many things to do with this dumb-down effect?
Oh wait, shall we point accusing fingers at the streets for Adekunle’s sudden slack?
Or… oh, he might have finally settled for this viral approach to making quickie hits as evidenced from materials released by his label mates. You know, making music is a lot of work oh, especially when you’re tasked with developing content that appropriately fits a melody.
Does YBNL have one, or perhaps too many things to do with this dumb-down effect?
Oh wait, shall we point accusing fingers at the streets for Adekunle’s sudden slack?
Or… oh, he might have finally settled for this viral approach to making quickie hits as evidenced from materials released by his label mates. You know, making music is a lot of work oh, especially when you’re tasked with developing content that appropriately fits a melody.
Isn’t that why Kiss Daniel’s Woju and Laye sound alike?
Isn’t that why Pepenazi’s Illegal and One For The Road sound alike?
Isn’t that why Olamide’s Bobo and Abule Sowo sound alike?
Isn’t that why Flavour and P-Square have myriad hits that sound too alike? They even dared to call them ‘Part 2’ because we’re so dimwit that we can’t decipher when artistes plagiarize their own works.
So I might be the latest to have arrived at this stale conclusion that our artistes are lazy. And the bug may have bitten Adekunle too deeply when he waxed this new record.
Isn’t that why Pepenazi’s Illegal and One For The Road sound alike?
Isn’t that why Olamide’s Bobo and Abule Sowo sound alike?
Isn’t that why Flavour and P-Square have myriad hits that sound too alike? They even dared to call them ‘Part 2’ because we’re so dimwit that we can’t decipher when artistes plagiarize their own works.
So I might be the latest to have arrived at this stale conclusion that our artistes are lazy. And the bug may have bitten Adekunle too deeply when he waxed this new record.
The styling is so alike with his previous release. The lyrical
framework are the same, the beat count and design are quite very similar
to each other, the musical arrangement obviously share similarities
that you just can’t miss especially in vocal tones and harmony
structure. Lemme explain what I mean by that – you can literally sing
both songs over each other’s instrumentation. By now, you must know that
it’s very unacceptable a feat from the first (or isit second?) boy wonder of YBNL. And as much as I want to claw down on the label’s modus operandi
for delivering successive hits, ‘Kunle should know better than to
applying such lazy formula to his widely celebrated music theses.
Don’t get me wrong, Ready is a beautiful song. Without any
doubts whatsoever. Infact, we will jam it from our car stereos (me
especially – it’s been on replay sef); we will even groove to
it at several chill and turn up spots all over town; couples, brides
especially will use it to bid final farewell to their spinsterhood and
stride gallantly into their new life of Mrs. So you can see that the
track is already a winner for whatever occasion. Still, ‘Kunle can’t
afford to cave now. We’re definitely not gonna have that. His music
essence gives hope to very few of us change preachers and practitioners
of this industry. We really can’t bear losing him just when we began to
bask in the euphoria of his creative uniqueness. He needs to buck up!
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